Ullman then explains that the Overlook is closed every winter from the end of October to the following May, because it would be too expensive to keep the roads open, and he points out that the site was chosen specifically for its seclusion. When Danny first 'sees' the Grady twins in his bathroom at home, he blacks out. When he awakes, he is being examined by a doctor Anne Jackson. This entire examination scene, and the subsequent conversations were all cut.
Danny says that before his black-out he was talking to Tony, "the little boy who lives inside my mouth". Wendy and the Doctor then talk in private, and Wendy mentions an incident in which Jack dislocated Danny's shoulder in a drunken fit of temper, at which time he swore never to touch alcohol again. That was five months ago, and since then, he has kept his word. During their tour of the Overlook, Jack and Wendy are brought into the Colorado Lounge, and Wendy asks if the Indian designs are authentic.
Ullman explains that they are based on ancient Navajo and Apache motifs. He then mentions the prestigious history of the hotel, saying it was a stopping place for the jet set, for four presidents, movie stars and "all the best people". The beginning of the scene where Ullman shows Jack and Wendy the hotel grounds has been cut. He points out "our famous hedge maze" and warns them not to go in unless they have an hour or so to spare.
Prior to the introduction of Dick Hallorann Scatman Crothers , Ullman shows off The Gold Room and explains that all liquor is removed during the winter so as to reduce insurance costs.
Hallorann is then introduced, and the secretary Susie Alison Coleridge appears, having found Danny outside the games room. Ullman then leaves with Jack, and Hallorann takes Wendy around the kitchen. Some of Danny's conversation with Hallorann has been cut.
Danny asks Hallorann if he is scared of the Overlook, and Hallorann replies that he isn't, but that "some places are like people, some shine and some don't. I guess you could say the Overlook Hotel here has something about it that's like shining. The end of the scene where Wendy brings Jack his breakfast has been cut.
He comments that he has never been as happy or as comfortable anywhere as he is in the Overlook and Wendy reveals that she thought the place was scary when they first arrived. Jack replies that he fell in love with it straight away and he felt as if he had been there before. The scene of Jack throwing the ball against the wall is shorter. After Wendy and Danny explore the maze, a sequence has been cut showing Wendy working in the kitchen while a TV announcer talks of a search in the mountains for a missing woman, and a snow-storm that is predicted to be moving in on Colorado.
After the scene in which Danny is confronted by the Grady twins in the corridor, and they invite him to play with them, a scene has been cut in which Wendy and Danny are watching TV.
Danny asks if he can go to his room to get his toy fire-engine and Wendy tells him to be quiet because Jack is sleeping. Some dialogue has been cut from the first conversation between Jack and Lloyd Joe Turkel. I watched it through to the end more out of disbelief than anything else. This is the same guy who made "" Anybody for a remake. The Shining Google Drive download free.
I am not a person that gets concerned with book-to-screen adaptations. It's not that I am not a reader, I enjoy literature and read a great deal in my free time. I recognize, however, that books and films are two different mediums, therefore, have storytelling devices unique to the manner in which they work with a narrative. Stephen King's vocal and vehement opposition to the film by Stanley Kubrick means quite little to me.
He may be right, the work originated with him, obviously, but films are different than books and should be appreciated as a separate entity rather than an extension of one another. I also wouldn't classify myself as a fan of Stanley Kubrick. That's not to say I don't think he's made some wonderful films- he has, I just don't list him among my favorites which make me an ideal candidate to speak evenly about his film and King's book.
Kubrick's film starring Jack Nicholson and Shelley Duvall tell the tale of a writer and his family who become caretakers of a hotel with a dark history on a secluded mountain in Colorado. The Torrence family is in for a lot more than a quiet winter once they finally settle in. Kubrick really outdoes himself with his visually stunning version of The Shining. The staggering cinematography creates the immense isolation the leads succumb to, keeping audiences glued to the screen until the final minute.
Since the hotel will be empty while in Jack's care, he sees this as a perfect opportunity to work on his next novel. Just as he is signing the paperwork, he is warned that through the hotel's long history, there was a former caretaker that killed his family with an ax before shooting himself to death. Jack is unfazed by the news still focused on the opportunity to get a great deal of writing done during his time there. When he brings his wife Wendy Shelley Duvall and son Danny Danny Lloyd to settle in, things are alright for awhile, until Danny's gift of being able to see things from the past and the future, referred to as "the shining" begins to warn him about the hotel, and hints at something sinister taking place in room When Danny meets the head chef who also has "the shining" who is preparing to leave the hotel for the winter, they speak about the sinister history surrounding the events that took place in room The longer the Torrence family stays at the hotel, the more visions Danny has, and the deeper Jack surrenders to the insanity of such extreme isolation.
When Jack starts becoming aggressive, Wendy and Danny begin to fear for their lives, thinking they may become the next victims of the Overlook Hotel. I'm a total cinephile, but I have few "film traditions.
I enjoy seeing new-to-me films as often as possible, so I partake in very few re-watches. I've always been one of those people far more afraid of the darkest sides of human beings than an unhinged slasher.
Despite watching The Shining every year, there hasn't been a viewing yet where I haven't sat in complete awe while watching it. I am completely immersed in the world Kubrick creates in The Shining, and that's solely due to his genius in portraying the subject matter.
The sound design is extraordinary and creeps into the heads of those in the audience as subtly yet profoundly as Jack's isolation creeps into his head.
I practically have to clean up the drool from the floor over the tracking shots Kubrick utilizes in the film. One of the best tracking shot in cinema history takes place in The Shining. Of course, I'm talking about the shot of Danny on his big wheel riding through the hallways of the hotel until being confronted by the horrors tucked away in the hotel's history.
The brilliance and exquisite beauty of the tracking shots and long takes Kubrick uses to tell the story are fascinating, and never lose their luster no matter how many times you see The Shining. I've heard the criticisms of Nicholson, but I personally think that he was perfect for the role, and can't imagine anyone else playing the part of Jack Torrence.
He was over the top at times, but the role calls for it the further he descends into madness. This item will only be visible to you, admins, and anyone marked as a creator. Current visibility: Friends-only. This item will only be visible in searches to you, your friends, and admins. Description Discussions 0 Comments 0 Change Notes. Description Discussions Comments Change Notes. Add to Collection. This item has been added to your Favorites. Type: Video. Age Rating: Everyone.
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